When young Noah Keller gets carted off to East Germany by
his parents in 1989 (at the start of my new novel for kids, Cloud and Wallfish), he has to leave
almost everything behind--even (what he thought was) his name and (what he
thought was) his birthday. He does manage to grab one old book to carry along,
however--the old edition of Alice in
Wonderland & Through the Looking-Glass that used to be his mother's.
"Noah had picked it off the shelf this very morning,
because he always had to have something to read in his bag, just in case. This particular
book looked battered but cheerful. It had lost its dust jacket years ago; rows
of red-ink and black-ink rabbits trotted away on the cover in a diamond
pattern."
Yes, this is the (real) copy of Alice that I grew up on; now it's living a second life as a
(fictional) book in the hands of a (fictional) boy in a (really) complicated
moment in history.
Of course, the book had to be Alice! And not just because of the most obvious metaphor, of West
Berlin and East Berlin staring at each other across the Wall like looking-glass
worlds--for that matter, not even because of the second-most-obvious metaphor,
of the two sides playing a chess game in which the playing pieces are living
creatures (although the strange-looking page in the book in which that chess
game is "explained" plays a role in the twisty plot of Cloud and Wallfish).
But also because of a dozen other peculiar Alice moments, which have haunted me
since I was an Alice-aged child, and which kept coming to mind when I was
living in East Berlin in 1989 as a graduate student. Traveling to East Germany at
that time was, for an American, as Noah's father says, like going to a version
of Alice's wonderland: "a fairyland with lots and lots and lots of
rules." A place that was fascinating and scary, both at once.
The East Bloc and the West played their very serious spy-versus-spy
games in Berlin, and sometimes it was hard not to think of the Walrus and the
Carpenter, taking the little Oysters out for a walk along the beach (from which
no little Oysters return). Alice, trying to sort out who's good and who's awful
in that poem, finds herself somewhat flummoxed: Alice was the book where I
first had to face the idea of a world where heroes with clean hands were not guaranteed,
where ethics and morality were, despite the chess diagram frontispiece, not
particularly black (or red) and white, but complicated.
("He ate more
than the Carpenter, though," says Tweedledee, not making things easier for
Alice.)
And while large, serious things were going on between
governments in 1989, people like (fictional) Noah and (real) me nevertheless made
true friends. Noah has it far worse than I did, because he has more secrets to
keep. His friend, Cloud-Claudia, can't even know his real name, which of course
causes Noah pain, especially since Cloud-Claudia believes firmly that "in
your name is a little seed of everything that you are":
"Noah was thinking about the wood in his Alice book, the one where things have no
names, where Alice doesn't know she's Alice anymore, and the fawn she's walking
with (until they reach the end of the wood) doesn't even know it's a fawn. There's a picture in the book of Alice and the fawn, leaning close together: friends--until a moment later when they
reach the end of the wood and remember who and what they are, and the fawn
takes fright and runs away. Noah could see that forgetting one's name could be
a problem--but also that someone finding out you are not who you said you were
could also be a problem."
In the end, East Germany turned out not only to be
maintaining a Wall, but to be perched on top of that Wall, like Alice's Humpty Dumpty. We didn't know,
when we were living there in the first half of 1989, that the great fall would
happen THAT fall! It would have been easier to say good-bye to our friends if
we had been able to see into the future. But we couldn't see, and leaving was
hard.
Noah, like Humpty Dumpty, knows something about the wobbliness of birthdays, so we will let Noah and Cloud and Wallfish celebrate their un-birthdays together, today and tomorrow and perhaps many times over again.
Anne, thanks for sharing your background on this book! Love the connection between Alice in Wonderland & Through the Looking-Glass in the book and the part it plays. I've pre-ordered Cloud and Wallfish and so excited to read it!
ReplyDeleteThank you so much, Donna! Hope you enjoy the story!
DeleteWhat a fascinating parallel! I love that you've used a childhood favorite, one that pushed you to see complexities and became a metaphor for the real world at a later phase of your life as a real book companion for a fictional child.
ReplyDeleteOn a completely unrelated but kind of similar note, my critique partner, Valerie Geary, published Crooked River, an adult novel where a young child who has gone mute is obsessed with Alice in Wonderland...and uses parts of the story to communicate.
Oh, that sounds very interesting! Of course the list of books and films and paintings and [list continues on into the wee hours] inspired by Alice is very, very long indeed. Those books are so rich and so strange that they can continue to work on us all through our lives....
DeleteI'm looking forward to reading Cloud and Wallfish, even more so now that I know Alice in Wonderland played a role in the story. Happy Un-Birthday!
ReplyDeleteThank you so much, Brenda, and, while we're at it, happy un-birthday to you, as well!
DeleteI'm officially intrigued, Ann. Cloud and Wallfish sounds lovely.
ReplyDeleteThank you, Jim! It's a book I care about deeply, that's for sure. :)
DeleteA tremendous novel--and I look forward to posting my review and interview with Anne next Monday at Middle Grade Mafioso
ReplyDeleteThank you, Michael! (Thank you times two! No, times more than two!--oh, goodness, more math!)
DeleteHappy Unbirthday and this entire post has me intrigued.
ReplyDeleteThank you, Sheena-kay, and (since these things really do work in a looking-glass way) Happy Unbirthday right back at you!
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