SCBWINY16 Top 10 List by Jim Hill

I had the good fortune to attend the SCBWI Conference in New York City last month. This list is a quickie, shorthand review of my favorite moments.

1. Gary Schmidt's Keynote – He speaks like he writes. Heartfelt, honest, and spare with emotional truths that strike like a punch in the gut. I wish you could've heard it too. It was kind of life-changing. For the next best thing, check out his appearance on the Yarn podcast.

2. Connecting In Person – Conferences are where the internet comes alive. All of those little avatars you chat with on Facebook and Twitter have actual human beings behind them. It's true! And you can meet them in real life! Amazing.

With @StrictlyHeather @heyjimhill @HUnderdown @MoveBooks pic.twitter.com/WKwA4Q5toD

— Debbie Ohi (@debbieohi) February 13, 2016

3. Cheryl Klein's Revision Session – If you've read Second Sight or listen to the Narrative Breakdown podcast, you know of Cheryl's insightfulness. This workshop was exactly what I needed as I was in the middle of revisions on my novel (and maybe, just maybe stumbling through said revisions like a bear drunk on fermented berries). She offered a concrete approach toward revision that I will carry with me forever. Her new book, The Magic Words comes out in September. Read it and become a better writer.

4. Funky Downtown Dining – The food was cheap and delicious. And then there was this.

NYC dinner companion.

A video posted by @heyjimhill on Mar 15, 2016 at 4:45am PDT

5. DIY Writing Intensive – Friday was the intensive day at the conference, and there were many outstanding workshops to be had. Was I registered for any of them? No. Instead, I met classmate Bonnie Pipkin at Grounded for a self-made writing intensive (1.3K words, thank you very much) followed by drinks at the White Horse Tavern to soak up the literary mojo. And book deal celebration. Hers, not mine.

Not the Whitehorse Tavern, but this a better photo than the one I took of my meal there. 

6. VCFA Reunions – Vermont College of Fine Arts has a vibrant community of writers *cough* cult-like *cough* who love to get together at conferences, book launches, and the occasional bar fight (just kidding, Tom Greene). Ann Cardinal, Chief Herder of Cats, knows how to bring us together for casual chat, industry talk, and craft discussions. She's basically a floating cocktail party wearing an "Ask Me About VCFA" pin. Even when there aren't any cocktails to be had.

7. Double Rainbow – Not one, but two interview sessions with Rainbow Rowell! You guys, at one point I was close enough that I could have touched her hair! (To be clear, I didn't because that would be creepy and wrong.) These were both excellent Q&A sessions. Rainbow comes across like you think she would if you've read her books: intelligent, funny, charming, and slyly subversive. If you haven't read her work, do yourself a favor and rectify that mistake. Read her for the dialogue, the graceful character descriptions, and read her for the stories themselves. Not quite like being there in person, but this interview on the aforementioned Narrative Breakdown is worth a listen.

8. Mentoring/Being Mentored – Conferences give you ample opportunities for one of my core beliefs: wherever you are in your publishing journey, you can help someone else with theirs. There will always be someone ahead of you (however you define that), and there will always be people working through things you have experienced. Reach out. Lift up. Repeat.

My thanks to Carrie Firestone for doing her part to lift me up. We share an agent, and Carrie took me under her wing to talk through some of the expectations invloved with the whirlwind-publishing-machine. Her book, The Loose Ends List, drops on June 7th. Look for it; it sounds great.

9. The Publisher's Panel – We often hear that houses have a voice, and this panel did a nice job of embodying that idea. It was fascinating to listen to the publishers talk about the strengths and motivations of their lists. There were two takeaways of note for me. One, the children's arms of the large publishing houses are now given a lot more respect as the financial models point to stability within our market. That opens a lot of opportunities, and clears some of the clouds away from the doom-and-gloom prognostications we hear so often.

The second, a point made by moderator Ruben Pfeffer was a huge relief to my anxious artist brain. He assured us that if a manuscript makes it to an acquisition meeting but gets turned down, it's not because the writing was flawed, it's because the business case for that particular book couldn't be made at the time.

Why is this relief? Well, I can't control business decisions, but I can control the quality of my writing, so this lets me off the hook as an artist. Right? Now, I'm far from an acquisition meeting, but I have my hopes, and I know from my colleagues experiences that not every book gets picked up even when it makes it that far. I'm sure if/when that day comes it will hurt like hell, but at least now I know it won't be because I'm a bad writer. I'm just bad business!

10. Autographs – Maybe I'm a fanboy at heart, but I love the autograph sessions. Sure, the lines are long, but the conversations in those lines can be fun. And you get to have your favorite authors sign books to YOU. Or someone you love. Or maybe a frenemy. You do you. All I know is that I am super excited to have autograph copies of The Game of Love and Death, Last Stop on Market Place, and Whatever-Book-I-Bought-So-William-Joyce-Could-Sign-It-Alas-I-Had-To-Leave-But-Linda-Camacho-Is-Holding-It-For-Me-Right-Linda?

REACHING UP by Joanna Roddy

Photo by Charles Sharp, courtesy of wikimedia commons

You've heard it before: writing is a solitary endeavor. 

Except that it doesn't have to be.

I mean it's true--no one but you can sit in that chair (or walk on that treadmill, if you're Paul) and write all the words. But don't the great story-tellers sit vigil with us when we do? Don't great lines, great moments in treasured stories echo back to us, even as we create something new?

Yet there's something to be said for reaching out to flesh and blood writers who are further along the path. Call it reaching up. 

My first experience of this was when a member of my writing group met a local author and pitch expert and invited her to meet with us. The author did a pitching clinic, shared her writing journey, and offered writerly advice. We paid her for her time and brought yummy snacks, but we definitely got the better end of the deal. We've done this several times now with local authors who've crossed our paths. They've always been thrilled to do it and the experience has always been invaluable.

When I hit a wall with my first novel, I gathered my courage and asked a couple of authors I know (one a friend, the other an acquaintance) if they would be willing to point me toward good resources. Both kindly offered to meet with me and talk things out, and both took time to close read some of my manuscript. I was blown away by their generosity. The perspective they offered both from their own journey as well as the experiences of other authors they knew set me off in new directions that breathed life into my work and my discouraged writer's soul.

I know that these examples sound a little like lucky happenstance, but I think you can cultivate these opportunities. How?

-Keep your eyes open:  Brainstorm the sage wisdom you already have around you. A beloved writing professor from college? A local author? A friend of a friend? What about the worthy organizations in your area, like SCBWI or a local Writer's Association? Not only do many of these groups offer critique circles, they have seasoned writers at the helm who are passionate about bringing writers together! Even Craigslist can have writing group opportunities.

Joy had an article a few weeks ago discussing the power of mentorship and the willingness of this Middle Grade community to support each other. Don't underestimate the power of your online world to connect you to people willing to take a personal interest in your work. Look for places you might be able to submit your query or first page for critique, or reach out to a favorite blogger. 

-Be ready, be brave: The second step is being open to reach out to these people when the opportunity or the need arises. The danger for many of us is to assume that we would be a drain on the other person, so we shut down the idea before we've even asked. We must be brave and mentally open before the chance meeting or the deep dark funk, otherwise we'll hesitate and miss it. 

-Don't act entitled: On the other side of things, we need to be careful not to accost someone for their expertise. Utilize tact and respect for their time. Don't assume, demand, or make the other person feel obligated. A key phrase to use: "Can you point me to a resource who could help me with ___?" (whatever your need may be). This gives them a chance to offer to help you if they can, or to kick the ball down the field a bit, but still get you closer to someone who can help you.

-Be willing to pay: It should go without saying that people like literary agents, book doctors, and professional editors should not be approached for personal input unless you are their client--be willing to pay them or query them through their preferred channels. 

Writing is hard and often lonely, but most successful writers will tell you they had key players who helped them along the way. You won't know who yours are until you're willing to reach out and find them. 

I'd love to know: Have you experienced helpful input from other writers and how? 

What kind of help would you most like to see our community offer? Query/ first page critiques? Mentoring opportunities? Local meet-ups? We'd love your ideas! 

On Writers For Hope, and a Query Critique Giveaway by Joy McCullough-Carranza

I’ve been struggling lately, Project Mayhem readers. My last post was about how I haven’t been feeling like I have much to contribute as a middle grade blogger. The team graciously gave me a couple months off to focus on the play I had in production, and I took it.

As the production closed and my next post has drawn nearer, I’ve been grappling with how to proceed. When I found out my next post date would be April 1, I realized that today is also the date of an online auction in which I’m donating a full manuscript critique (MG or YA). So first of all, I want to draw attention to that. I’m one of forty-five donors (many of them amazing agents and published authors) donating query critiques, manuscripts critiques, and more.

The Writers for Hope auction rules are here and a list of the auction items are here. I encourage you to check it out. It’s raising money to support RAINN (Rape, Abuse & Incest National Network) and it’s a reminder that this kid lit community is more giving and supportive than any other community I’ve ever been a part of.

I love my theater people—they are giving in completely different ways—but kid lit people drop everything and show up IN FORCE to support other writers and important causes. I’ve seen it in my own life with my critique partners who have become my closest friends, and on a bigger scale with things like the We Need Diverse Books campaign. RAINN is a cause close to my heart and I’m so heartened to see so many wonderful community members giving of their time to support it—and provide critiques that might push newer members of the community to the next level.

But I know that when I was querying, auction items like these were usually out of my financial reach, as much as I would have liked to support the causes. Because of that, I’d like to offer a query critique to one commenter here at PM, who I’ll choose at random. If you’d like another set of eyes on your MG query, just mention it in the comments and make sure I have a way to contact you. I may do more than one, and I may do this periodically. Maybe sometimes I’ll offer more than a query critique.

Behind the scenes at Project Mayhem, we have been talking about the most useful ways for the middle grade writing community to support one another. What do you feel is lacking? What could you use more of, or what do you wish you'd had access to at an earlier stage? More query support? Critique partner match-ups? Opportunities to be mentored? To mentor?

What would serve you? How could you serve?