Showing posts with label practice. Show all posts
Showing posts with label practice. Show all posts

Tuesday, July 19, 2016

6 Ways Unicycling Is Like Writing by Jim Hill

My family gave me a unicycle for Father's Day. They might be trying to kill me. Thirty days later, I'm still alive – Ha! – and covered in wisdom. Or maybe those are bruises. Whatever. The point is, I've discovered that learning to ride my one-wheeled-antagonist is a lot like writing a novel. Strap on your helmet and wrist guards, and I'll explain.


A photo posted by @heyjimhill on

1. It Seems Like a Good Idea at First
Unbridled optimism might be the first sign you could be a writer or a unicyclist. You're sure in your heart-of-hearts that this new undertaking is a great idea, and you can definitely get it done if you work hard enough. This feeling is followed by the realization that...

2. You Have No Idea What You're Doing
Whether saddling up for the first time or staring at the blank screen while the cursor pulses in silent judgment, you quickly realize you're clueless about how to begin. Congratulations! You're on your way! To the emergency room. Or maybe the Newbery Award. I'm just saying prepare yourself for anything at this point, is all.

A video posted by @heyjimhill on

3. Research is Key
Write what you know is a cute aphorism, but maybe a bit of a lie. Unicycle what you know is straight-up crazy talk. Research is your friend, the Tom to your Huck, the Martin to your Lewis. I wouldn't even have been able to get on that cyclopean-death-steed if I hadn't googled and YouTubed beforehand. The same can be said about writing. Do I know which fork to use first at a State Dinner, or the melting point of human flesh? No, no I don't. But the internet does. If that fails, your friendly, neighborhood librarian is just an email away. (Raise your hand if you think the NSA has you flagged for some "necessary" search topics. Yup, me too.)

4. It's Hard to Tell Where You're Headed
Plotter or pantser, sometimes you wander off the main road and end up in the garden. Ask yourself, "Is that poison ivy?" and "is anything happening in this scene that moves the plot forward?"

Atop the mono hoop-of-shame, you have to activate your core to stay on course. So, what is the core of your writing? The characters. What do the characters want, what do they need, and what's in their way? When you're face down in the hydrangea, take a moment to check in with your characters, and they'll pull you out of the weeds. (I may have sprained my metaphorical ankle with this one.)

5. Sometimes You Fall on Your [REDACTED]


A video posted by @heyjimhill on


This is the part of Hero's Journey when the hero faces abject failure and almost quits, but then somehow beats the odds to return with the elixir. The elixir, in this instance, being a large bottle of Advil.

Writing has similar, less (physically) painful pitfalls. You will hit them. Good crit partners will be there to ask if you're okay and get you back up and pedaling toward a resolution in no time.

6. Butt In Chair (or Seat)
Yolen's Law gets the job done on the page and on the road. You're not going to get better thinking about writing or riding. You're going to get better by doing them. A novel is a big, intimidating goal. Mastering the single-wheeled-conveyance-of-clowns-and-doom is too. I'm nowhere near joining the circus, but I am better than I was yesterday. So don't sit down to write a novel, sit down to write the next sentence, the next paragraph, and the next scene. You can get a lot accomplished with just two pages a day. Keep track. Celebrate your progress. Jump for joy.

Meanwhile, if you need a unicyclist that's good for about eight to ten feet at a time, I'm available.

A video posted by @heyjimhill on

Friday, November 30, 2012

Go! Write! Fail!




I recently read a story attributed to the book Art & Fear by David Bayles and Ted Orland.  It recounts an experiment by a ceramics teacher, who divided his class into two groups.  The first group was to be graded on quantity.  They were to focus on making as many pots as possible by the final day of class.  The second group was to be graded on quality.  They only had to make one pot, so they could pour all their time and focus and energy into this one pot--but yes, it had to be of utmost quality to get an "A."

Now, my first thought upon reading this was to think, Well, of course, the students focusing on quality are going to have the better pots.  They get to spend the entirety of their class time getting their one pot just right.  But the curious thing is that by the end of the class, the students focusing on quantity were actually the ones producing the pots of the best quality.  It turns out that even though they were focused on making as many pots as possible, these students couldn't help but learn from the process of doing so.  They had the benefit of making mistakes and learning from trial and error.  In the end, this was enough to put them ahead of the group focused on quality.

As writers, we face the equivalent of a lot of lousy pots.  How many times do you end up tossing paragraphs, pages, chapters, or even entire manuscripts that just aren't making the grade?  But the simple fact that we're writing means we're learning and honing our skills.  Quantity leads to quality, which is why we must write, write, write.

So . . . go, write, fail!  Fail a lot if that's what it takes.  There is great value in mistakes.  The most important thing is to keep writing.