Monday, August 26, 2013

Do At Least Two Things At Once, by Matthew MacNish


I'm not sure the many-armed statue of Shiva is the best image to represent this post, but it's important to use open licensed images, so it's what we've got.

Anyway, today I want to discuss one of many revision techniques I use. That is, for lack of a better term: do at least two things at once. And I don't mean multi-tasking, though the photo may imply otherwise. What I mean is, while reading back through a manuscript, and revising it, one thing I try to focus on is making sure that every scene accomplishes at least two things. Here are some examples of goals that scenes can strive for:

  • Furthering the reader's understanding of a character
  • Furthering the reader's understanding of the world
  • Describing the setting
  • Foreshadowing a coming plot element
  • Echoing a past plot element
  • Speaking to theme
  • Ramping up tension
  • Purposefully slowing down (or speeding up) pace

There are dozens, if not hundreds more, and I would love to see more examples in the comments, but I'm sure this list is enough to make my point.

Of course we all know about the four rhetorical modes of discourse: exposition, argumentation, description, and narration. While argumentation isn't much used in fiction, sometimes, depending on point of view and narrative distance, two of the others can be done at once. But that's not really what I mean either.

Whatever the method may be, and certain methods work better for certain types of scenes (dialog vs. action, for example, or inner thoughts vs. description) the point is to try to make sure that every scene exists for more than one reason, and that it accomplishes at least both of those goals (hopefully more than two, but by having a rule of at least two, I find that helps me decide what to trim).

I wish I could share an example from my own work, but I've got nothing published except for some very short flash fiction/vignettes, and they don't really follow the same rules as longer stories. Hopefully this technique makes enough sense to be understood without an example, but feel free to share one if you have one (or more goals that scenes can strive for)!

24 comments:

  1. Love the Shiva statue. And yes, it's so true that our scenes have to do more than one thing.

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  2. Great list! I also make sure consecutive scenes don't do the same two things. Mix it up as the story progresses so that all elements are covered throughout.

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    1. Ooh, that's another good point. Thanks, Patchi!

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  3. Foreshadowing is something I love to read, and write and you're right, the more you can get in a scene the better.

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  4. A scene can surprise the reader with a plot twist that also changes their understanding of everything up to that point.

    Heck if I know how to write that, but I love reading it. :-)

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    1. I'm not the best plot twister either, Steve.

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  5. Any writing that doesn't move your story along needs to go. Few things are worse than a boring scene. Because a browser might just chuck your book and move on. Great tips Matt.

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  6. I check emotions- Characters have to react to what's going on around them in order to seem real.
    ~Summer

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    1. Absolutely. Another good one, thanks Summer!

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  7. Great advice, Matt, thanks. This is exactly what I needed today. :)

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  10. Actually good reminders for me Matt! Thanks.

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  11. Actually good reminders for me Matt! Thanks.

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  12. Actually good reminders for me Matt! Thanks.

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    1. Are you on your phone, dork? Just kidding. Thanks, Christina!

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  13. Good ideas here and in the comments. And timely.

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  14. Great way to look at it. I always know if I start skimming my own scene, it prolly isn't doing what it needs to.

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  15. Also a good point. Thanks, PK!

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Thanks for adding to the mayhem!